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Kraftwerk Most popular Music Saliha Enzenauer

Kraftwerk Was Never About The Future, But Always About The Present

We were pretty sure that we weren’t raised in Liverpool. Our generation had to come up with a counterpoint to that… Kraftwerk was willing to relate to the past of German identity. Karl Bartos (Kraftwerk, 1975-91) If you ever plan to fly to Cologne and its neighbor-city Düsseldorf for its electronic music & ‘Krautrock’ heritage …

Iggy Pop Steve Reich The Record That Changed My Life

Iggy Pop on Steve Reich’s ‘Music For 18 Musicians’ (1978)

Suddenly I felt anger and shame This record is important to me, because in a certain way it saved me. When Music For 18 Musicians was released, I lived the rock’n’roll lifestyle with every fibre of my body and continued to incite myself. I went through every wall with my head first. I tried to …

Giorgio Moroder Music Sparks

Making Sparks: No.1 In Heaven

With Sparks: No.1 In Heaven, Ron and Russell Mael delivered an album which, while not performing well commercially, would prove one of their most influential records A decade into a career which had already seen the eclectic and eccentric Sparks establish themselves as a pair of shapeshifting mavericks whose music transcended boundaries, even the most …

Kraftwerk Computerwelt
Kraftwerk Most popular Music Saliha Enzenauer

Computerwelt: Kraftwerk Recorded The First Anti-Surveillance Song 40 Years Ago

We live in a computer world, so we made a song about it. Ralf Hütter In 1981, Edward Snowden‘s revelations on how Imperial America mass-surveilled its own citizens and the citizens of the world were still 32 years away. Yet, the seeds for today’s surveillance capitalism and globalization as 21st century version of colonialization were …

2814 (aka HKE and Telepath) Music

2814 (aka HKE and Telepath) -新しい日の誕生/ Birth of a New Day (2015)

Just that name “Vaporwave” was enough to turn me off. The aging hipster within making it very clear that I would have nothing to do with this internet creation. “Just a shiny plastic container with nothing inside”, I said defiantly. Without depth or feeling or humanity, this music was nothing I would be interested in …