Film Octavio Carbajal Gonzalez

One Flew Over The Cuckoo´s Nest (1975)

Octavio Carbajal González
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Director: Miloš Forman

Based on the book by the American writer Ken Kesey and adapted to cinema by the acclaimed Czech director Miloš Forman, One Flew Over The Cuckoo’s Nest presents the story of Randle McMurphy (Jack Nicholson), a recidivist in the criminal system, accused of various cases of aggression. Faced with a scientific evaluation of his mental state after being accused of raping a 15-year-old girl, the central character is declared as mentally ill.

McMurphy is transferred from the Oregon prison to the State Mental Institute. Upon arriving at the Institute and going through an interview with the director of the campus, he becomes an intern, being constantly evaluated by the medical-psychiatric team in order to define the remaining time of his sentence. During his time at this mental institution, McMurphy strives to build interesting links and relations with patients in conversation groups, card games, outdoor patio breaks, and other occasions. With the clear objective of meddling and becoming part of the community.

Since his arrival, McMurphy feels overwhelmed by the hospital routine; full of rules, norms, sanctions and psychiatric medications. In response to this overwhelming environment, he seeks to rebel against the established rules. He stops taking the medications and constantly starts to challenge the Institute’s officials, especially the Nurse Ratched (Louise Fletcher), who is the main authority that coordinates the groups. This estrangement, opposition and courage against the authority converge to shape the cornerstone of the film: McMurphy’s actions lead him little by little to gain the confidence of the other patients, which start to see him as a true savior.

The management of the Institute begins to see him as a provocateur who needs to return to prison. Even with strict attention and control on his person, the protagonist of the film continues to perform rebel acts, taking patients out for a day to take a boat trip or allowing them to have a party inside the institution, including alcoholic drinks and women. Through the rebellion, McMurphy brings back excitement, joy and enthusiasm for life to all hopeless patients. In addition, he makes them reveal their most extraordinary qualities and talents.

The film shows a psychiatric institution that closely resembles a prison, the facility is composed of giant walls, barbed wires and extreme security. The scenes were shot inside a real mental institution, located in the state of Oregon. This fact adds authenticity to the scenes, and exalts the social criticism that unfolds in the film, the director dissolves a thought that persisted throughout many years: “the crazy people” are considered the plague that must be isolated and kept as far as possible from the social dynamics of humanity. In turn, the monotonous structure which the rebel McMurphy finds when he arrives coincides with the perspective of that particular time: the evil Nurse Ratched is in charge of an alleged “therapy group”, in which each patient must tell an event that has marked his life, and his companions are invited to comment on this particular event. The authoritarianism exercised by this woman, coupled with the pressure and discomfort felt by each patient, are the main problems that lead them to feel unsatisfactory therapy sessions. And here is when McMurphy displays the model of the uprising figure, the medical cure that heals the infected wound.

As French philosopher Michel Foucault said, “Where there is power, there is resistance”, and that’s exactly what the figure of McMurphy represents, the rebellion against arbitrarily imposed norms. Seen from the perspective of Nietzsche, we could take the concept of the will to power. This will wants to grow and dominate. The establishment represented by the medical body seeks to impose its truth endorsed by science. Meanwhile, Randle wants to impose his own will. Nietzsche conceives history as this constant dynamic. Who has more power in the end? The one who manages to win.

One Flew Over the Cuckoo’s Nest shows us how human beings develop their own madness according to the regulations that the environment imposes on them. Each person’s behavior differs between what s/he considers morally correct or not. Emotional catastrophes occur because most people don’t know how to listen, they feel superior and want to impose their will to power. Why treat the patient as mentally ill and not as a person? A personal and adequate treatment is much more fruitful than the imposition of inhuman over-control. Finally, in Goethe‘s words:

“We don’t have to visit a madhouse to find disordered minds; our planet is the mental institution of the universe”.

by Octavio Carbajal González

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