Hall of Shame Music Saliha Enzenauer Simple MInds

Hall of Shame: Simple Minds – Don’t You Forget About Me (1985)

Saliha Enzenauer
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Just let me forget and die

The Simple Minds are an easy target, because their essence and typical audience is already manifested within their bandname: it’s mind-numbing music for simple minds. But this band and its pathetic tunes show a shockingly frequent recurrence in my life, which I do not understand- but it fucks me up.

One of the most bizarre and memorable moments in my mucial life took place during the Cologne carnival about 5 years ago. I was driving my Dad’s car at night without my own music, and therefore was dependent on the radio. All stations were playing horrible carnival songs, except for one which was broadcasting a Simple Minds concert at 1 o’clock in the night. Paralyzed, but also negatively fascinated, I was unable to turn it off for its entire duration. Fulfilled by a pastoral organ sound in an ongoing process of invocation, tension- release, tension- release, tension- release was the single formula of the entire concert: a never-ending crescendo that leads into- nothing. Nothingness.

There are so many great moments in my life that I don’t remember anymore, but for some reason the Simple Minds shit stays forever. Like the memory of my friend Priska, a beautiful blonde pot-head with perfect thick black eyeliner. When we were 15, Priska would skip school almost daily, and sometimes I would join her and we’d hang out in her place while her single-mom was working. All would be fine until she took a deep hit from her bong, put a Simple Minds record on and started to rave about the band and “sexy” Jim Kerr. And it was not their more bearable very early stuff she listened to, no, it was ‘Alive & Kickin‘, ‘Belfast Child‘ and other smash-hits that come from a very strange and twisted place in hell. And even though I didn’t do any drugs, I knew that this was wrong, that something psychedelic or avantgarde would have been more apt and dignified to get high to.

We will enroll the case of the Simple Minds with their über-hit ‘Don’t You Forget About Me‘, a song that rolls up my nails and makes me wanna smash my head at walls everytime I hear it. A song that was not written by the band, yet still is an amalgam of everything their music is about. It had been offered to Bryan Ferry and Billy Idol before, which both refused to record it. As the score to the Breakfast Club (1985), it is also visually connected to one of the countless ‘Highschoool Dream’ lie-films that are engraved into the American psyche- which makes the matter only worse.

Press play.

Hep, hep, hep, hep
Oooooooooooooh wooooooh

What a fucking beginning! My teeth are starting to ache, a pain that increases with the end-lines of the song: „Lala la la lala la la“ (repeat 100 times). This article could stop right here, as no decent song in the world should ever begin like this, and no intelligent brain should get involved in most simple comic-speech-bubbles. But this serves as a perfect example of two main aspects of the Simple Minds’ music: infantilization & pathos for no reason, pathos that goes nowhere but exists as evil circuit.

Now, what is this all about, what is Jim Kerr singing about in this song that it obviously addressed to some passed fling, but refuses to provide any coherent story-line? „Won’t you come see about me / I’ll be alone, dancing you know it baby“. Of course, baby. I can see that you are either dancing romantically and alone at the prom between some balloons, or do an enchanted pagan dance in the rain, maybe to the esoteric flute sounds of the ‘Belfast Child‘ this time. Jim Kerr also shows us in the music video how you oughta dance to it, baby: clapping your hands like a new wave- monkey in a madmen’s torture chamber, in between creepy toys, clowns, and jukeboxes. And also, for no reason, while you are dancing, „Rain keeps falling, rain keeps falling / Down, down, down“ It is this certain most horrible way of writing, using one symbol after the other to give the impression of depth and meaning when there simply is none.

We know these situations from real life: some old friends of mine will claim that as a young girl I broke many hearts, but I ask you: what would you do if some 21-year old guy drove you home, put on ‘Don’t You Forget About Me‘, and threw a glance your way, forcing meaningfulness into the moment, and conjuring a feeling that is not there? Is it such a capital crime to dream of somebody who is into Black Celebration instead? No regrets, I’m glad I stood strong and principled. Thank you for the lift, N.

The song goes on: „Will you stand above me? / Look my way, never love me / Rain keeps falling, rain keeps falling“ or „Hey, hey, hey, hey / Ooooooooooooh wooooh / Don’t you try and pretend“. But the worst is the chrous line- Jim Kerr is not singing „Please don’t forget about me“ or „I hope you don’t forget about me“, no, he’s jovially reminding you „Don’t you forget about me“ with a sugar-coated arrogance, just LIKE A MOTHERFUCKER.

by Saliha Enzenauer

Director’s Cut: That chandelier falls on Jim Kerr 9 seconds into the clip, blood splatters, he stops moving. Music distorts and then stops. Fade out.
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