Wire – Mind Hive (2020)
Remember when nothing tops the excitement of the latest release from a hottest new band?
Ripping past the sleeve plastic. Denting the cover sleeve from your enthusiasm. Touching the vinyl grooves directly with your fingers and slamming that album on your parents turntable. All done with the skill and precision of a butcher. Fuck it! You never had to worry about returning the album to the inter-sleeve because that album wouldn’t leave the turntable for weeks. Not until the music left a permanent mark on your soul.
Much of that may seem like blasphemy during the “vinyl resurgence”. Today I see people handling records like they are sacred documents… Holy Grails. Each “artifact” placed inside some ridiculously expensive sleeve. Only to be misfiled between those unplayed Tom Waits albums. Maybe you’ll never see it again.
All I’m saying here is that maybe it was better when we didn’t treat records like newly found scrolls from the Dead Sea.
Of course, none of this enthusiasm is new to a veteran Wire fan, as the band has been inspiring frantic devotion for over four decades now. Wire had already released a trilogy of classic albums (Pink Flag, Chairs Missing and 154) before I had even purchased my first Kiss single (Rocket Ride w/ Ace in lead). It would take me a few years before I found Three Girl Rhumba. Eventually leading to my favorite Wire album, The Ideal Copy (1987). Note: If you are not familiar with this incredible 80s period, do yourself a favor and track down a CD complication called the A List. 21 outstanding tracks from the band’s classic second burst of energy.
Which brings us to the newly released Wire album, Mind Hive. A record busting with ideas and songs that are among the best of their career. Sharp and challenging melodies are punctuated with their brittle angular post-punk guitar sound. The atmosphere throughout the record is dense but bright. Thick with the musical textured environment we expect from master-class innovators like Wire.
The power and immediacy of the opening track, Be Like Them, is visceral. Wire functioning as if it’s 1978 or 1985 or any of their other periods that set the standard.
At a lean 35 minutes, Mind Hive is refreshingly tight and efficient. Never does the band lose the plot or overindulge, each track moves on with focus and purpose. That is never more true on Mind Hive than on the pulsating and elegant centerpiece, ‘Unrepentant‘. A track brimming over with the optimism of the band’s intentions for the future;
In-between the lines
Ancient tales remind
Openings are hard to find
The blind will never lead the blind…
Unrepentant, understanding
Independent, making landing
It is a great lyric and a wonderful statement for all of us to consider. These are demanding times we face together. Be brave, act intelligently and decisively. Challenge the status quo. The music on ‘Unrepentant‘ crackles and shines with Wire’s unique progressiveness. Built on lush waves of electronic synths that create a futuristic, pastoral soundscape, part Berlin era Bowie/Eno, and part pulsating Krautrock.
But it’s really 100% Wire. You can’t fake authenticity. Mind Hive is a dazzling declaration for a group of veteran punk rockers making their 17th album with their integrity and authenticity intact.
by Shawn Ciavattone
[…] new album ‘Mind Hive’ (read our review here) is bursting with energy and ideas. Sharp, crisp melodies that seem to find an adventurous balance […]
Awesome record, thanks for putting it in my radar.
Shawn,
I’m intrigued to hear this record. Like Octavio, I dig Pink Flag and Chairs Missing–the former is the best British punk record of 1977 and the latter the best post-punk record of 1978. (And, of course, I also appreciate 154–similar soundscapes in some ways as another 1979 landmark, Joy Division’s Unknown Pleasures. )
Mind Hive deserve fan attention, I believe. After the bursting creativity of the first three albums (Pink Flag, Missing Chair and 154), Wire has been giving us wave after wave of music that demands to be heard. The Ideal Copy and
A Bell Is a Cup (1987/88). Then Send in 2003. An aggressive album that became their best-seller commercially. And now releasing three late-period albums that are full of elegance and creativity; Nocturnal Koreans(2016), Silver/Lead(2017) and Mind Hive (2020). Amazing band with lots of interesting things to say.
I still haven’t heard it (which is so wrong). But it’s great to hear that you think Wire is still as powerful as ever. Really looking forward to my first listen now.
As for the remarks on treating vinyl differently, I can relate far too well. I think that period when so much vinyl was out of print and irreplaceable really screwed me up. It’s not some fragile, little baby that needs to be coddled and talked to sweetly. Be free little LP. Be free.
Thanks for the review and reminder to get over the fear of fragile vinyl. Long Live Vinyl! Long Live Wire!
Thank you, Kevin. I think you would enjoy any number of the latest Wire albums. They are incredibly strong and consistent. Are you familiar with 2003’s Send album. Aggressive , raw and intelligent.
Great recommendation, have listened to the album since reading this yesterday and I love it! Truly a band that ages in dignity I can’t wait to get this one and rip my copy open hehe.
That’s great. Enjoy the album. But don’t touch the grooves with your fingers! Lol.
It’s great that you put this new comeback album on my radar, Shawn. I recently saw the release, and just listened to the first 3 tracks. It’s definitely an original return to their sound (Pink Flag and Chairs Missing are two of my all-time favorite albums) . I perceived a very similar feeling with Slowdive’s most recent self-titled album (it’s also a marvelous return to their original sound). It’s great that you point out that “Vinyl Resurgence” issue, a lot of people are just buying vinyls because it has become a sort of trendy fashion, but they don’t appreciate the music anymore, they see the vinyls as some kind of trophy to look intellectual . I loved the “Vinyl Wankers” episode that tackles this particular issue. Anyway, thank you for the article!
Those first three albums will always be special. I’m only really familiar with Slowdive’s Souvlaki but if their new album is half as good…then it’s worth hearing. I’ll check it out. I have mixed emotions about the entire vinyl resurgence. I hope the music people are buying isn’t just vanity objects. It’s the music that is inside those grooves that inspires. Saliha absolutely nailed the issue in Vinyl Wankers.
Gotta give this a listen. Hilarious beginning to the review!
Thank you. It’s a great album. And not just because it’s comes from the bands 4th decode together. Mind Hive would be the apex of most musicians career.
‘Buzzing’ review, so fun to read. Had a listen, it’s a really good album, Wire are a constantly safe bank. “The Ideal Copy” is my favorite Wire album, too 👌
Ideal Copy is your favorite Wire album? Very cool. It was such a refreshing punch back when I first heard. And the CD is worth hunting down too. It include a host of bonus material worth hearing. Mind Buzzzzz 😊