Borderline homoerotic action-packed male bonding particularly when centered exclusively on a Caucasian/African American coupling epitomized Tinseltown’s interpretation and endorsement of progressivism in the Eighties. The Exterminator not only jumpstarted an entire decade of vigilante justice-meets-cultural acceptance, it deftly morphed each component into one storyline of carnage, sexual deviation, torture, and friendship. Its controversial near-X rated …
